Collection PL

Libya 1971 — Central Bank of Libya 10 Dinars Color Trial Specimen (Omar al-Mukhtar Portrait, Pick 37cts)

This color trial specimen represents a pre-issue production stage of the Central Bank of Libya 10 Dinars note introduced in 1971, prepared during the immediate post-monarchy redesign of the national currency. Following the establishment of the Libyan Arab Republic, royal imagery was formally removed and replaced with revolutionary-era symbolism, most prominently the portrait of Omar al-Mukhtar, positioned as a unifying national figure and ideological anchor of the new regime. Color trial specimens occupy a critical position within the banknote production sequence. ... Read more →

Libya 1971 — Central Bank of Libya Omar al-Mukhtar Intaglio Vignette Proof (Portrait Master for 10 Dinars Issue)

This intaglio vignette proof represents the master engraved portrait of Omar al-Mukhtar prepared for the Central Bank of Libya’s post-monarchy currency redesign introduced in 1971. The vignette constitutes a standalone production artifact, engraved independently of any completed banknote and intended for transfer into the face plate of the new 10 Dinars issue following final approval. In modern banknote production, vignette proofs occupy a foundational position within the engraving workflow. ... Read more →

Libya 1971 — Central Bank of Libya 10 Dinars Specimen (Omar al-Mukhtar Portrait, Pick 37s)

This specimen represents the official pre-issue specimen of the Central Bank of Libya 10 Dinars note introduced in 1971, the first high-denomination issue of the Libyan Arab Republic following the abolition of the monarchy. Bearing the red SPECIMEN overprint and zero control serials, the note documents the final approved design state immediately before full circulation printing commenced. Specimen banknotes occupy a distinct position within the currency production and distribution process. ... Read more →

Libya 1971 — Central Bank of Libya 10 Dinars Issued Note (Pick 37a, Without Arabic Inscription)

This note represents the earliest circulation variety of the Central Bank of Libya 10 Dinars issue introduced in 1971, featuring the portrait of Omar al-Mukhtar and classified as Pick 37a. It was released into circulation without the Arabic legal inscription along the lower margin that would later be added to the series, marking this variety as the initial production state of the issued note. The omission of the Arabic inscription reflects the rapid transition from design approval to public release during the early years of Libya’s republican currency reform. ... Read more →

Barbados 1971 — Government of Barbados 100,000 Dollars Treasury Bill, Specimen, Prefix F

Specimen Treasury Bill issued by the Government of Barbados under the authority of the Treasury Bills (Local) Act of 1922, prepared for internal reference, accounting control, and archival retention rather than circulation or fiscal settlement. The document carries a printed denomination of one hundred thousand dollars and defines an obligation payable out of the Consolidated Fund at any commercial bank in Barbados or at the Treasury. The place of issue is identified as Bridgetown, confirming its role within the central administrative framework of the Barbadian state. ... Read more →

Luxembourg March 20 1971 — 50 Francs Signature A Photographic Proof Face (Pick Unlisted)

Face-side photographic proof of the fifty francs note of the Grand Duchy of Luxembourg, dated March 20, 1971 as indicated on the grading holder, representing the finalized obverse layout prior to production. Printed in monochrome and mounted on archival cardstock, this example preserves the design at the stage where all structural and compositional elements had been resolved. The note carries serial number A000000 in dual placement, consistent with internal photographic proof conventions. ... Read more →

Luxembourg March 20 1971 — 50 Francs Signature A, Back Photographic Proof(Pick Unlisted)

Back-side photographic proof of the fifty francs note of the Grand Duchy of Luxembourg, dated March 20, 1971 as indicated on the grading holder, representing the finalized reverse layout prior to production. Printed in monochrome and mounted on archival cardstock, this example preserves the reverse composition at the stage where all structural and visual elements had been resolved. The central vignette depicts an industrial scene featuring heavy manufacturing activity, with workers and machinery integrated into a dynamic composition. ... Read more →